Here's a blog I originally posted in June of 2022 on an interesting exhibit at the Lyndhurst Estate not farm from my Bedford, New York farm. If you're in the area, check out their current display focusing on the history of Lyndhurst - open until October 15th, 2023.
A striking exhibition marking the evolution of women artists over the course of 300-years is now on display at the Gothic Revival Lyndhurst Estate in Tarrytown, New York.
Presented inside both the Lyndhurst mansion and in its exhibition gallery, this extraordinary "Women's Work" show features more than 125 works including approximately 50 contemporary pieces mainly created after 1970 by mostly American women artists from diverse backgrounds, placed in conversation next to historic antecedents from the 18th and 19th centuries.
Here are photos of a selection of items included in the exhibit, which is on view now through Monday, September 26th.
The “Women’s Work” exhibit was curated by Lyndhurst’s Executive Director Howard Zar, Nancy Carlisle of Historic New England, and Rebecca R. Hart, an independent contemporary art curator. The show displays historic examples of domestic handcrafted items alongside objects made by contemporary women artists who incorporated the same artistic traditions in their practices.
Many of the pieces are presented in this exhibition gallery on the Lyndhurst grounds. The groupings are intended to show the wide breadth of techniques used to create the pieces over time.
Here from left to right: “Tile Palette” by an unknown maker used by Jane Armstrong Tucker and Celia Thaxter/Haviland & Co., “Teacup and Saucer,” Jane Armstrong Tucker/Haviland & Co., “Plate,” Judy Chicago, “Virginia Wolf Test Plate #1 for The Dinner Party,” Emily Cole, “Monarda Cabinet Plate,” “Untitled (Strawberries),” and Emily Cole’s “Cream Pitcher.”
The “Knit Wool Rug” in the foreground was made by Elvira Curtis Hulett when she was 88-years old living with Shakers in Massachusetts. It shows her attention to detail as well as the utilitarian functionality so often shown in Shaker pieces. Above it on the wall is a more contemporary work by Miriam Schapiro called “Golden Pinwheel” which was made using braided and knitted wool.
Hand stitching was the most time consuming of the skills learned by women in the 18th and 19th centuries. Aside from housework, sewing the family’s clothes and linens took up most of a woman’s daily tasks.
On the left is a quilt by renowned African American quilter, Mozell Stephens Benson in 1991. The center piece is Faith Ringgold’s “Feminist Series: Of My Two Handicaps #10.” Faith is known for popularizing the story quilt, a quilt with pictures and textures used primarily to tell a story. On the right is “Bars Quilt” made by Amish artist Elizabeth Yoder between 1870 and 1880.
This is a contemporary “Checkered Quilted Workwear Jacket” made of cotton and hand-tied yarn by Emily Bode – clothing made with modern fabrics and inspired by traditional practices.
This is called “Pantaloncini: Work No. 069” by Angela Ellsworth. These bloomers replicate those worn by 19th century women under their dresses. These garments became a symbol for women’s rights because they represented a lack of movement and the need for freedom. This piece is made using more than 50-thousand brightly colored dress pins and faux pearl corsage pins.
This is a scallop-shell-patterned needlepoint seat cushion – one of 12 made by First Lady Martha Washington around 1801, after the death of her husband, President George Washington.
In this installation, a wax figure by Sarah Gardner Gee made in the 1700s from wax, silk, linen, glass, shells, and wood, next to “Curupira,” by Shary Boyle in 2014. It shows a young women dressed in fancy clothing with fruit suggesting abundance and fertility displayed with a figure showing vulnerability and fear.
This “Dressing Gown” by an unknown maker was made between 1862 and 1864 out of wool, silk, taffeta, and cotton.
Many of the exhibit’s pieces are also displayed in various rooms of the mansion. They are loosely positioned in areas where they may have most naturally been used.
Here is a set of topsy turvy dolls in the child’s bed of the master bed chamber. The dolls are skirted figures that display a different face when turned upside-down. One made by an unknown woman in the 1860s on the left and two created by the artist Kiki Smith in 2002 – “Little Red Riding Hood” and “Owl and Pussycat.”
Contemporary artist Liza Lou created this piece in 2006. Look closely – it is made entirely with beads and aptly named the “Loo.”
Liza also made the popcorn box and popcorn in the back of this case, again all with beads. The beadwork of Northeastern Indigenous tribes has been known as an art of survival. The other pieces were likely done in the mid 19th century also using Indigenous beading techniques.
On this bed, another quilt created by one of the woman servants. Quilting was influenced by a need to provide proper cold weather bed coverings, but over time, also became a very artistic and expressive art form.
The tableau in the Lyndhurst Library features silhouette pieces by Idelle Weber, Kara Walker, and Jaune Quick-to-See Smith. Silhouettes were very popular in the 19th century as a more affordable art form compared to painted portraits. These were often done as parlor activities in the home.
Kathleen Ryan, “Bad Lemon” or “Sour Blush,” made this in 2020 out of aventurine, smokey quartz, rhodonite, calcite, quartz, labradorite, green line jasper, kambaba jasper, pink opal, citrine, amethyst, rose quartz, agate, serpentine, pink lepidolite, malachite, mother of pearl, freshwater pearl, bone, glass, acrylic, and steel pins on coated polystyrene. She was known to carve larger than life fruits into Styrofoam and then cover them with semi-precious stones and glass beads. The rotted sections of the fruit show the national economic decline during that time.
An unknown woman artist created this “Beaded Fruit” piece in the mid-20th century using synthetic beads and straight pins. The beads likely came from a kit sold to female home hobbyists during the Depression.
This is called “Murmur.” Made of wax, silk, and wire in 2009 by artist Valerie Hammond. It combines flora, fauna, and the human body in various gestures.
After the Civil War, home decorating became more common. Victorians were great fans of nature and horticulture. Below is “Floral Wreath” by an unknown artist made with wool and silk in a gilt wood frame. On top is Portia Munson’s 2012 “Morning Glory Mandala” using pigmented ink on Hahnemuhle paper.
The “Women’s Work” exhibit continues through the summer – catch it if you can. And please visit Lyndhurst – the historic estate will inform, intrigue, and inspire you.
Here's an encore blog from my visit to Shelter Island last year. This one originally ran on August 31st, 2022.
With its stunning water views and gentle bay breezes, Shelter Island, nestled between the North and South Forks of Long Island, New York is a wonderful place to visit.
Last week, I was invited to a summer soirée at the historic Pridwin Hotel & Cottages in Shelter Island Heights overlooking the breathtaking Peconic Bay. My friends, Susan Magrino, Kevin Sharkey, and Terre Blair joined me for a lovely evening of great food and cocktails hosted by fashion designer Dennis Basso and his husband, Michael. The Pridwin, part of Cape Resorts, celebrates its 95th anniversary this year following a complete renovation of its 33 rooms and 16 private cottages - all designed in a timeless and casual palette of bright, playful colors.
Here are some photos from our visit to The Pridwin, enjoy.
It was a perfect evening for a late summer dinner. Here I am with our host, Dennis Basso, and Curtis Bashaw, managing partner of Cape Resorts, which oversaw The Pridwin’s extensive two-year renovation.
Here is Dennis standing by the beautiful table set for 30 out on the deck with gorgeous views of the Peconic Bay.
My seat looked out onto the water. Our dinner included a tomatoes and burrata salad, roasted chicken panzanella with artichokes, baby tomatoes and a bacon vinaigrette, and for dessert – Pridwin’s classic ice cream cookie sandwich.
Here I am with Curtis and Will Riccio. I’m holding a charming Pridwin tote bag – every guest went home with one.
The next day, Kevin took photos of the resort and its breathtaking waterfront views. The Pridwin sits on more than seven-acres overlooking Shelter Island’s pristine Crescent Beach.
Here is the entrance with its bright and inviting yellow glass front door.
Just inside behind the reception desk is a wall of keys – one to each of the 49 rooms and cottages.
This welcoming fireplace is located in the general living room of The Pridwin with the original hotel shield hanging overhead.
Not far is the Pridwin’s Crescent Bar with its whimsical red, white and pink cabana stripe awning and bar stools upholstered in a warm pink fabric. The renovation project’s design was under the direction of Colleen Bashaw, Curtis’ sister and VP of design for Cape Resorts. She says “The Pridwin was based upon the hotel’s image of classic Adirondack summer camps and cottages” – a playful mix of old and new. (Photo courtesy of Cape Resorts)
Outside is The Pridwin’s expansive pool – also with views to the bay. (Photo courtesy of Cape Resorts)
This is The Pridwin Hotel Maintenance Shed which is kept in immaculate condition. Kevin loved all the organization, but who wouldn’t?
Every cord is coiled perfectly and hung on the wall.
Here, Curtis poses with Edgardo Munoz, one of two who run the shed – it’s very impressive.
In this photo, Curtis is joined by Paul Gorra, who is also responsible for this workshop.
Many of the key elements of the original structure remain, including the exterior crisp white paint with the signature hunter green window casements.
The Pridwin was named after Pridwen from the legends of King Arthur, the name of Arthur’s shield, which translates to ‘pride in winning’.
Looking out from this lawn is another view of the Peconic Bay – the parent name for two bays between the North Fork and South Fork of New York’s Long Island. It is separated from Gardiners Bay by Shelter Island and is divided by Robins Island into the Great Peconic Bay on the west and Little Peconic Bay on the east.
Here is one of the docks off Crescent Beach. Located on the North side of the island, Crescent Beach spans more than half a mile long.
Kevin also captured this stunning image of another dock – one never tires of these gorgeous views. See lots of Kevin’s photos on his Instagram page @seenbysharkey.
And here is a view heading back home aboard the North Ferry. What a lovely time spent on Shelter Island. If you’re ever in the area and want to treat yourself and your family to a special beachfront getaway, check out The Pridwin.
Here's another memorable blog from our visit to Woodbury, Connecticut. It was originally posted on September 5th, 2018. Enjoy.
If you’re ever in or around western Connecticut and love visiting small, charming towns or shopping for antiques, I encourage you to make a stop in the quaint hamlet of Woodbury.
Nestled in the foothills of Litchfield County, Woodbury is known as the “Antiques Capital of Connecticut.” This reputation was established more than 50-years ago when antiques dealers began setting up shops in the historic homes along Main Street. Now the area has more than 35 antiques stores featuring some of the best in period furniture, decor, and art. Woodbury is also filled with beautiful churches and inns, and excellent restaurants and cafes. I've been to Woodbury many times and have always enjoyed my visits there - I know you will too.
Yesterday, my assistant went to Woodbury to pick up something I had recently purchased. This is Tucker Frey Antiques, a shop specializing in 18th and early 19th century pieces. http://www.walinfreyantiques.com/
I had purchased these two antique windows from Tucker Frey, last month, at the New Hampshire Antiques Show. These windows are 300-years old.
They came from a church in Sheffield, Massachusetts. I love the shape and architecture of these windows.
Tucker’s shop has many treasures including William and Mary, Queen Anne, Chippendale, and Federal period furniture and accessories.
Here is a folk art portrait of a boy and his dog from the early 1800s.
This tabletop figure of a woman and her hat probably came from a 19th-century milliner’s shop.
Here is a beautiful antique chest with original brass hardware – everything is in such excellent condition.
Here is one of several copper molds at Tucker’s shop – this lion is quite rare. Molds were popular during the Victorian Era for both savory and sweet dishes. I have collected many molds over the years.
This is an antique pheasant weather vane mounted on a wooden stand.
Next door to Tucker Frey Antiques is Cedar Meadow Store – an antiques shop with whimsy. Owners, Veronica Martin and Jim Orsi both enjoy color, graphics, nature, and folk art. On a center of this table is a taxidermy kingfisher under a glass dome. It is early 20th century from a Natural History Museum in Italy.
This large “store” sign is original from 1850.
This is a set of Victorian nesting blocks.
And here – two Hubley cast iron Boston Terrier door stops. In front of them are modern Tatine votive candles.
Woodbury is very historic. St. Paul’s Episcopal Church sits across the street from Tucker’s shop. It was first organized in 1740.
In 1961, a new parish house was attached to St. Paul’s. The land under the parish house had belonged to the Town of Woodbury, which sold the property to the church in 1959 for a dollar.
Further down Main Street is The Elemental Garden. Unfortunately, it was closed at the time. http://www.theelementalgarden.com/
The Elemental Garden focuses on rare and authentic garden antiques, bold furnishings, and unusual decorative accessories – the walkway to the entrance was decorated with this quaint arbor.
Along the driveway are several ornamental garden statues. This is a set of four lead figures, each representing a different season, raised on large plinth blocks of limestone. They were once part of Oprah Winfrey’s personal collection.
These are covered marble mid-18th century urns hand-carved by a master Italian artisan in Marchese.
This is the Woodbury Public Library. The town’s library first opened in 1851 with a collection of 200-books. It moved to this location in 1902. In its earliest days, the library was governed by several rules including “books could be drawn on the first Thursday of each month, and three-cent fines were levied for damages such as turned down pages or ink spots.”
Not far is the Woodbury Town Hall Building.
The Red Barn Thrift Shop is the go-to place for gently used clothing, household items, books, linens.
The sign next to the door listed its hours and times. Unfortunately, this day was a Tuesday…
Next door is the Red Barn’s other building called the Parsonage Boutique, where most of the clothing items are displayed for visitors.
Wayne Mattox Antiques is a trusted source for 18th and 19th century American furniture, paintings and folk art as well as primitives and antiques with historic appeal. https://www.antiquetalk.com/
The gallery is housed in a classic Greek revival home. This handsome wooden figure sits by the front door.
Wayne has many beautiful antique weather vanes such as this cow with a beautiful patina – the green or brown film on the surface of bronze or similar metals, produced by oxidation over a long period of time.
This is a horse weather vane. A weather vane, wind vane, or weathercock, is an instrument showing the direction of the wind. They often sit atop houses or tower buildings.
This is a giant wooden antique post topper from the early 19th century.
Woodbury is also home to this charming old hardware and feed store, CL Adams Company.
Housed in a converted barn, the stalls are used for storing farm animal feed and supplies.
There are also smaller, hand-packed bags of birdseed.
Inside the store, vintage shelving holds an array of cabinet hardware.
And of course, old fashioned gumball machines for its younger visitors.
Many shops along and around Main Street are listed on the National Registry of Historic Buildings, such as the B. Bourgeois Lighting Building, a gallery of historic lighting fixtures. This structure was originally built in the late 1700s.
I hope you get the opportunity to visit this wonderful New England town – steeped in history, charm, and filled with many antique treasures.
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